Henkaku WORKS – ANTI JOY Review: Paradox & Provocation
Henkaku WORKS has never been a band to accept easy answers, and ANTI JOY no Kyogen to NON SAD no Shinjitsu arrives as...
Album and EP reviews from the VK Chronicle team.
Henkaku WORKS has never been a band to accept easy answers, and ANTI JOY no Kyogen to NON SAD no Shinjitsu arrives as...
E.T’s return with “Tribe” marks a significant moment for the project—a statement of intent that arrives with the weig...
Blue Blood is the moment Visual Kei became inevitable. Released in 1989 as X Japan’s debut full-length, this album st...
When LUNA SEA disbanded in 2000, they left behind a crater in the visual kei landscape—one that, two decades later, r...
HUMAN ERROR have always operated in the shadows of Visual Kei—never quite fitting the mold, always pushing toward som...
D’ESPAIRSRAY’s return with RAPTURE is nothing short of a cultural event for Visual Kei. After years navigating the in...
Royz has never been a band content with standing still. Since their formation, they’ve carved out a distinctive niche...
The Wasteland arrives as a sonic apocalypse—a bleak, uncompromising statement from NOCTURNAL BLOODLUST that feels les...
Dir En Grey isn’t here to comfort you. With Mortal Downer, their 12th studio album released on April 8, 2026, Japan’s...
ASAGI’s 2025 album LEVEL INFINITY is one that refuses to play it safe—and that’s precisely what makes it essential. F...
Arlequin’s imagine feels less like an album and more like stepping through a mirror into a parallel Visual Kei dimens...
When MALICE MIZER released merveilles l'espace in 2002, they were operating at the intersection of their most theatri...
When Golden Bomber unleashed *Memeshikute* in 2009, they captured something that had been simmering beneath the surfa...
Xaa-Xaa's *Akairo* arrives like a bleeding wound—visceral, unapologetic, and impossible to ignore. This 2018 CD Maxi,...
When a band titles an album *DECADE*, they're making a statement. For DEATHGAZE, 2013's *DECADE* arrived as both a re...
DIR EN GREY's MORTAL DOWNER arrives as a meditation on spiritual exhaustion—a sonic journey through despair that refu...
There's a palpable darkness that settles over BLUE BLOOD from its first moments—a suffocating, beautiful dread that w...
When a band reaches the status of Visual Kei institution, a singles compilation becomes more than just a cash grab—it...
DIR EN GREY has never been a band to rest on laurels, and *MORTAL DOWNER* proves they're still willing to push bounda...
There's a particular kind of beauty that emerges from controlled destruction, and DALLE's 2021 offering *Destroyed To...
There's something deeply satisfying about hearing BUCK-TICK's vision rendered in analog warmth. *Kurutta Taiyou* (Mad...
Some anniversaries feel like obligations. NIGHTMARE's 25th is not one of them. √25 — read it as the square root of 25...
Fifteen years into their career, DIAURA have earned the right to call a release Ephemeral — because everything they t...
When ASP dropped their debut with a deliberately provocative title, it felt like shock value masking growing pains. T...
If you thought HYDE's solo work couldn't get any more sophisticated, think again. The L'Arc~en~Ciel frontman's ongoin...